![]() ![]() He's purposely drawn more tired looking and unshaven though. I find it hard to keep on-model for characters, so Dylan ends up looking more like me by the end. Sean Phillips: How I draw every character slowly evolves throughout a book, some of it even intentionally. It was about taking that structure that all of us who grew up going to the shop every week on new comics day have imprinted in our brains, and using it to do something different and familiar at the same time. It became much more about Dylan's voice and his struggles and his history than I expected it to.īut the structure, at least at first, was very simple, a guy in a mask who has to go out once a month (monthly, see?) and be a vigilante. So was Kill or Be Killed always going to end at this point and in this way? What can you tell us about the structure of your story and how it's evolved?īrubaker: Yeah, I always intended it to end the way it's ending, but I didn't know how long it would take to tell the story, and it opened up and did some different things than I thought about at first. And a big difference between this book and monthly superhero comics from the major publishers is that they tend to keep going, while this is ending. You've mentioned in the past that that you wanted Kill or Be Killed to have some of the feel of monthly superhero comics, but also be completely different. I don't want to spoil it or reveal whether he actually did die, obviously. ![]() Ed Brubaker: It takes place after that and is the weirdest comic I've ever written, probably. ![]()
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